Unreal Estate: Difference between revisions
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== Background Music Cues == | == Background Music Cues == | ||
*"[https://www.amazon.co.uk/Dramatic-Impact-3-Link-Sting/dp/B078WFN478 Dramatic Impact 3]" by Ivor Slaney | * "[https://www.amazon.co.uk/Dramatic-Impact-3-Link-Sting/dp/B078WFN478 Dramatic Impact 3]" by Ivor Slaney | ||
This four second tune is played at the scene of which the crosshair of Goosewing's stake blunderbuss is at the view Duckula on the balcony of Castle Duckula. | This four second tune is played at the scene of which the crosshair of Goosewing's stake blunderbuss is at the view Duckula on the balcony of Castle Duckula. | ||
*"[https://www.dewolfemusic.com/search.php?id=14861047&code=tGjrO9 Sinister Street No. 1]" by Peter Francklyn | * "[https://www.dewolfemusic.com/search.php?id=14861047&code=tGjrO9 Sinister Street No. 1]" by Peter Francklyn | ||
*"[https://www.apmmusic.com/albums/KPMK-1146 Vamp Till Ready]" (KPM 1146. Track 88) by Wally Asp | * "[https://www.apmmusic.com/albums/KPMK-1146 Vamp Till Ready]" (KPM 1146. Track 88) by Wally Asp | ||
*"Path of Destruction" by Tim Souster | * "Path of Destruction" by Tim Souster | ||
== Trivia == | == Trivia == | ||
*This was originally produced as the pilot episode of the series, and, like much of [[Cosgrove Hall Films|Cosgrove Hall]], was originally intended to just be a test pitch and would never get shown to the public, but a change of plans caused it to be broadcast as an episode of Series 3. This sports several oddities: | * This was originally produced as the pilot episode of the series, and, like much of [[Cosgrove Hall Films|Cosgrove Hall]], was originally intended to just be a test pitch and would never get shown to the public, but a change of plans caused it to be broadcast as an episode of Series 3. This sports several oddities: | ||
**Goosewing learns that Duckula has been recently reincarnated through an article in the newspaper. | ** Goosewing learns that Duckula has been recently reincarnated through an article in the newspaper. | ||
**The audio for Duckula's voice switches from a blatantly edited higher pitch to a normal pitch throughout the episode. This could possibly be a sign that some lines were re-recorded when the episode was being adapted into Series 3. | ** The audio for Duckula's voice switches from a blatantly edited higher pitch to a normal pitch throughout the episode. This could possibly be a sign that some lines were re-recorded when the episode was being adapted into Series 3. | ||
**The animation is more crude and inconsistent in quality in most shots than the rest of the series. An example is that multiple frames of Duckula from this episode look a bit off-model, thus a few of them can be recognised from the model sheets of Duckula as examples of what to avoid when drawing the character. | ** The animation is more crude and inconsistent in quality in most shots than the rest of the series. An example is that multiple frames of Duckula from this episode look a bit off-model, thus a few of them can be recognised from the model sheets of Duckula as examples of what to avoid when drawing the character. | ||
**The coffin's lights can be seen prior to Duckula using it to fly the castle, when typically they would be invisible until the coffin is activated. | ** The coffin's lights can be seen prior to Duckula using it to fly the castle, when typically they would be invisible until the coffin is activated. | ||
*The tune Duckula plays on his harmonica before Igor takes it away from him is a badly played version of "Oh Suzanna" as the harmonica scene from the intro features in the episode in full and with proper context. | * The tune Duckula plays on his harmonica before Igor takes it away from him is a badly played version of "Oh Suzanna" as the harmonica scene from the intro features in the episode in full and with proper context. | ||
== Credits == | == Credits == | ||
*Voices: David Jason, Jack May, Brian Trueman, Jimmy Hibbert, Ruby Wax | * Voices: David Jason, Jack May, Brian Trueman, Jimmy Hibbert, Ruby Wax | ||
*Narrator: Barry Clayton | * Narrator: Barry Clayton | ||
*Written by Brian Trueman | * Written by Brian Trueman | ||
*Vocals: Doreen Edwards, Mike Harding | * Vocals: Doreen Edwards, Mike Harding | ||
*Original Music: Mike Harding | * Original Music: Mike Harding | ||
*Design: Chris Randall, Margaret Riley, Paul Salmon, Vincent James, Dan Whitworth, Ed Williams, Andy Roper | * Design: Chris Randall, Margaret Riley, Paul Salmon, Vincent James, Dan Whitworth, Ed Williams, Andy Roper | ||
*Storyboard: Chris Randall | * Storyboard: Chris Randall | ||
*Layout: Dan Whitworth | * Layout: Dan Whitworth | ||
*Animation: Dan Whitworth, Arthur de Cloedt, Rosemary Welch, Malcolm McGookin, Jennie Langley, Philip Morris, Mark Povey, Alastair Fell, Mike Eames, David Bowers, Richard Bazley | * Animation: Dan Whitworth, Arthur de Cloedt, Rosemary Welch, Malcolm McGookin, Jennie Langley, Philip Morris, Mark Povey, Alastair Fell, Mike Eames, David Bowers, Richard Bazley | ||
*Backgrounds: Margaret Riley, Barbara Alcock, Stephen Simpson | * Backgrounds: Margaret Riley, Barbara Alcock, Stephen Simpson | ||
*Supervised by John Geering | * Supervised by John Geering | ||
*Special Effects: Garry Owen, Jackie Mitchell, Roy Huckerby | * Special Effects: Garry Owen, Jackie Mitchell, Roy Huckerby | ||
*Camera: Peter Kidd, Frank Hardie, Wendy Senior, Mark Sutton | * Camera: Peter Kidd, Frank Hardie, Wendy Senior, Mark Sutton | ||
*Painting: Beverly Phillips, Yasodha Huckerby, Sue Halliwell, Joan Jones, Stefania Giani, Gloria Vassiliou, Lynn Hardie, Katie Nutter, Lesley White, Karl Scoble, Andrea Hough, Joyce Flowers, Michelle Povey, Laura Cosgrove, Helen Michael, Helen Smith, Craig Whittle, Marie Dembinski, Mark Fulton | * Painting: Beverly Phillips, Yasodha Huckerby, Sue Halliwell, Joan Jones, Stefania Giani, Gloria Vassiliou, Lynn Hardie, Katie Nutter, Lesley White, Karl Scoble, Andrea Hough, Joyce Flowers, Michelle Povey, Laura Cosgrove, Helen Michael, Helen Smith, Craig Whittle, Marie Dembinski, Mark Fulton | ||
*Supervised by Lorriane Thomas | * Supervised by Lorriane Thomas | ||
*Xerox: Tony McAleese, Joan Simmons, Don Geering | * Xerox: Tony McAleese, Joan Simmons, Don Geering | ||
*Line Test: Phil Atack | * Line Test: Phil Atack | ||
*Animation Checkers: Andrew Bax, Phil McMylor | * Animation Checkers: Andrew Bax, Phil McMylor | ||
*Film Editor: Zyggy Markiewicz | * Film Editor: Zyggy Markiewicz | ||
*Assistant Editor: Bob Ashton | * Assistant Editor: Bob Ashton | ||
*Dubbing Mixer: Ted Spooner | * Dubbing Mixer: Ted Spooner | ||
*Production Controller: Chris Phillips, Bob Burrows, Simon White | * Production Controller: Chris Phillips, Bob Burrows, Simon White | ||
*Animation Director: Dan Whitworth | * Animation Director: Dan Whitworth | ||
*Associate Producer: Chris Randall | * Associate Producer: Chris Randall | ||
*Executive Producer: John Hambley | * Executive Producer: John Hambley | ||
*Produced by Mark Hall, Brian Cosgrove | * Produced by Mark Hall, Brian Cosgrove | ||
*Directed by Chris Randall | * Directed by Chris Randall | ||
*© Cosgrove Hall Productions MCMLXXXIX | * © Cosgrove Hall Productions MCMLXXXIX | ||
== Copyright Gag == | == Copyright Gag == | ||